This story starts early on a Sunday morning. A couple of friends and myself took a ride to West Philadelphia to the last residence of our closest departed friends, Marcus. Our mission was to gather his belongings and get them out of the house. Since our one friend was in a hurry we didn’t have time to go through everything. When we arrived Marcus’s friend who rented the room to him greeted us and had all of his belongings packed randomly in milk crates.
Let me back up. My story concerning Marcus started a week before he died. Once my “childhood” (in my mid-20s) hero, Marcus turned me on to many authors, poets, music and some films that I may not have found without him. He was my Shaman and friend and I devoured a lot of his interests. He had bee in and out of hospitals this year and ended up in a nursing home to care for his final ailment, celulosis. I visited for the last time (unknown to me while visiting) a little over 2 weeks before he passed away. We talked on the phone a few times the week before he died.
For some reason I started reading poetry that he loved out of the blue, authors like Arthur Rimbaud, Walt Whitman, Allan Ginsberg, Patti Smith, Jim Caroll and William Blake. It wasn’t a conscious effort. I was writing poetry and devoured the greats that Marcus turned me onto. For some reason I actually understood the poetry for the first time. I even mentioned this to Marcus when he was lucid and not in pain, over the phone.
The day before he died I started a poem about him because he deserved one for his accomplishments and his contribution to the world. November 10th I found out Marcus died from blood pressure and heart complications, I felt as though he jumped inside of me that day. “ghosts crowd the child’s fragile eggshell mind” to quote Jim Morrison who claims to have had dying Indians’ spirits he witnessed as a child jump into him. He stuck with that story until he died mysteriously in Paris, France in 1971. I felt Marcus in me for a at least a week or so. The extreme presence has faded but part of him remains in me.
The week of his service I was reading Arthur Rimbaud’s biography and discovered that Rimbaud also died on November 10th, 1991, 120 years before to the date. How appropriate I thought. I told his friends that knew his love for Rimbaud and they all agreed that it was some kind of spirits working there.
So, my 2 friends and me are at Marcus’s last house, his last home before the hospitals trying to avoid the temptation of going through his stuff and loading it into the car. I did manage to take a few minutes to throw together a crate of books and cds for myself. I tried to go through more while we were driving but I was in the blind spot of the car so I had to wait. I’m still waiting but in no hurry because I have months of books to read and cds to listen to.
I am.
The very afternoon I came home I started reading Patti Smith’s autobiography/ Robert Mapplethorpe’s biography written by 
Smith called Just Kids. Patti was in the top 5 of Marcus’s favorite performers, poet/lyricists and both he and other friend mentioned how great of a read it is. I have been obsessed with it.
Another related side story. My love for Patti Smith, like the majority of my sub cultural loves, have come from Marcus. I listened to her tender and abrasive mix of songs, the spiritual punk rock Queen. Marcus used the line “the sacred and the profane” to describe her, stolen from her own words at a show or interview. I had heard her on vinyl, tapes and cds. Watched video of her, seen endless photos of her. I found out she went to high school, a grade between, my biological mother and my aunt in Deptford, NJ. I had never seen her.
One cold December night in 1995, while living with Marcus, I passed on the opportunity to see not only Patti Smith but legend Bob Dylan at the greatest and at oldest (it has moved but still the same vibe from what I’ve heard) Philadelphia venues, the Electric Factory. I was in my depressive, isolation mode at the time. Sometimes I would create some original art in these modes and I felt this was one of those nights. Marcus felt different. He bugged and pestered me to go with him, he would pay for my ticket (I had no money and he had money back then), It will be one of the greatest experiences of my life. I fought for my right to pout and stay home.
He left. I was relieved. The thought did cross my mind when he and my other roommate went to see David Bowie on his Spider tour with Nine Inch Nails and I regret missing that one. I’ve seen both bands before but it was a different show. Marcus wasn’t even gone an hour and he came back home and burst in my room.
“I am not going to let you miss this one time event, possible the event of your life. I bought you ticket and you’re going back with me.” He said.
I was guilted into one of the best and the most spiritual rock n roll shows I have ever experienced. Patti was first. Marcus made sure we were almost front row. I can’t recall the exact set list but she lived up to her “sacred and profane” performance and lyrics. The deafening speakers in our ears, the crowds cheering all became distant sounds as I became one with Patti Smith, with Marcus, with God. I was disappointed when it was over, walking to the back of the Electric Factory when the more than legendary Bob Dylan hit the stage. I’ve had an on and off love for Bob Dylan and his music. Patti blew me away and the several times I’ve seen her since.
Reading Patti Smith’s stories of New York and her relationship with the controversial artist Robert Maplethorpe almost mirrors my own memories of Marcus and I, Patti and I, art and I, God and I. I can’t stop thinking about Marcus because of our mutual connection.
In 1996 or 97, Marcus and a couple other friends went to a record store for Patti Smith’s book signing. Marcus had been into drawing his favorite writers and rock stars on t-shirts with markers or Sharpies to wear and show off his art, Patti Smith, Keith Richards, Marc Bolan, Walt Whitman, and his personal favorite Jean Genet. Knowing that Genet was Patti Smith’s favorite writer, he brought it to the signing, to show her (I thought because it was his favorite shirt). When it was his turn to talk to her get the book signed he gave her the Genet t-shirt and told her he made it for her. A mountainous sacrifice for Marcus to part with that shirt with his painstaking time consuming beautiful art covering the front. When it was my turn I told her that my mother went to high school with her. She shot me a dirty look and said “oh yeah?” I was speechless and grabbed my copy of her poetry book signed and followed Marcus, giddy as a young artist showing his first work to his teacher. I left pissed at Patti Smith for a while but got over it when I thought of how stupid what I said was or could have been interpreted.
To the last time I saw him, he swears that she wore it on stage at a show he attended. He was so proud. I missed that show. Oh well.
A few nights ago I had a dream about William S Buroughs, one of my favorite writers Marcus had introduced me to. It’s a recurring
dream I’ve had for over 10 years where I have conversations with Burroughs or I am chasing him down at a convention of some sort. The next day I read about Patti Smith having a dream about William S Burroughs, one of her mentors, and then actually meeting him the next day. This blew my mind. I knew it was Marcus at work inside me.
The next day I went to Social Services in Camden, NJ. In the waiting room there are clothes for people to take. It’s mostly women’s clothes so I never bothered looking. This day there were 3 boxes of books. I didn’t expect much besides best sellers that I wouldn’t read. First I spotted a Howard Stern Book I already own. Then an AC DC biography I grabbed and put to the side. Like it came down from heaven I spotted the name Jackie Curtis on the spine of one of the books. I grabbed it so fast and gave up on the AC DC one, knowing I might not read it with all of the books I’ve been acquiring. I’ve always owning beyond my reading capability. It started with my comic collection. I had to read 
everyone I owned. The book was called Superstar in a Housedress: the Life and Legend of Jackie Curtis. Jackie was one of the early Andy Warhol’s drag actors. There was Candy Darling, Holy Woodlawn and Jackie Curtis. You might know the names from the Lou Reed song Take A Walk On The Wild Side. He mentions them all by first name. The book came with a dvd documentary about Jackie Curtis. Once again I knew Marcus had something to do with it being my only friend that knows who Jackie Curtis is and my fascination with over the top drag queens. My favorite was Divine from the many John Waters’ films.
I was feeling sick all day so when I came home I relaxed and watched the documentary. I loved it. I learned a lot about the actor, the writer, the poet, the addict and the superstar by the name of Jackie Curtis.
I was looking for another movie to watch after the documentary. For some reason I watched Scarface, not having seen it in years. I figured after watching a documentary about an artistic genius drag queen superstar I needed to even it out with a movie about a 
Cuban druglord. I usually watch the featurettes and extras when I am finished. I did. The featurette made references to the original Howard Hawks’ Scarface movie from the 1930’s and the phrase “the world is yours” was used in both versions of Scarface.
After dreaming about transvestites, fame, writing, Patti Smith and Tony Montana, I awoke confused, groggy yet awake and ready for the day. “The World is Yours.” rang in the back of my mind. My morning rituals, when I don’t have to rush off anywhere, are to find some decent light music to listen to, drink coffee, write and read, alternating the reading and writing. I even alternate which novel, prose or poetry I write and the books I read. The Patti Smith biography, Just Kids has been winning out as my reading choice more and more.
I came upon the part of Patti and Robert’s life where they are living at the famous worn down Chelsea hotel in New York, home to celebrities (underground, big names and has-beens), junkies, prostitutes and everyone in between. They get in with the Andy Warhol crowd slowly by showing up every night at Max’s Kansas City another celebrity haunt. Patti meets Jackie Curtis and is asked to be in her latest avant-garde play called Femme Fatale playing a male role, playing opposite sex roles was common and almost mandatory in a Jackie Curtis production. Marcus at work again, I thought after reading this. My mind was blown further when I read a comparison of a neon sign Patti and Robert were looking at to a scene in “Howard Hawks’ movie Scarface where Paul Muni and his girl are looking out the window at a neon sign that said The World is Yours.”
I used to think Marcus was full of shit when he would tell me of his visions and special stories or that they only happened to him Now they are happening to me with Marcus there every step. I’m not the only one.
A few of his closest friends and even those connected with him from a distance are feeling his power, his life, and his soul. Some are in the form of lucid yet surreal recurring dreams while others actually see and feel him while conscious.
In life he wanted to be famous, to be remembered. In death he’s keeping his dream alive. He knows if he comes to me I will write about him and keep him alive.
Posted by richhillenjr 
Rich Hillen Jr's Mind Explosions & Implosions 
Bagel and Cream Cheese
June 18, 2012Bagels and cream cheese at the end of my street
Comical caravans drive by my feet
Stick it to man and I get stabbed in the back
Ain’t no lovin for me just quite yet
The edge of the park is a nice place to rest
Light a mouthful of grass- the fresh picked best
Share it with the children and get poked with a stick
Ain’t no lovin for me quite just yet
Light three candles at the corner Catholic Church
For the three that I love who never got the hearst
My Sunday best clothes melt a holy water scam
Ain’t no lovin for me quietly quite yet
Oh driver oh driver do drive me away
Far from this level of the story I am stuck
Where the joke has no punch line
And I don’t give a skunk
Ain’t no love for me until I am ready you
Not just quite yet
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